工厂(👖)(chǎng )停(tíng )工,张(🛵)金生无处可(🏎)去,他(tā )独自(👻)一人在工厂(🍈)徘徊,一(yī )段(👱)古怪(📝)的声音把他(📋)引入(rù )另(lì(🛫)ng )一(yī )个世界(🎚),那里时而漫(🚝)天(tiān )大(dà )雪(🏼),时而(🚌)寂静荒凉(liáng ),他(tā )看(kàn )到(🌭)了不同的自(🚯)己。
中年(nián )建(🖥)(jiàn )築師遇上(🍿)人生瓶頸,在(🏤)(zài )家(🌰)(jiā )被老婆嫌棄,公司小開(🍁)(kāi )兔(tù )死狗(📛)烹。失業的他(🌇)在曼谷(gǔ )街(✝)(jiē )頭驀然回(😮)首,瞥(🖌)見大象(xiàng )Pop Aye,憶(🕎)起歡快的童(📛)年時(shí )光,毅(🌘)(yì )然買下大(💰)象,卻發現都(🗨)(dōu )市(shì )生活(📮)容不(🚬)下他倆,打算(♌)(suàn )和(hé )老象(🍊)一路向北返(📐)鄉。這(zhè )趟(tà(🎱)ng )人(rén )與象的(💗)公路(💈)之旅,途中(zhōng )狀(zhuàng )況不斷(🎙),所幸萬能(né(🚚)ng )的象(xiàng )鼻(bí(📰) )領著他倆,與(😔)沿路風景(jǐ(🌟)ng )相(xià(🔽)ng )伴。《爸媽不在家》導(dǎo )演(yǎ(🦁)n )陳哲藝監製(🤑),阿比查邦(bā(🍯)ng )御(yù )用剪接(😽)操刀,看擅長(🛥)冷幽(🎻)(yōu )默(mò )的才(✏)女導演陳敬(💊)音,用(yòng )象(xià(⏲)ng )鼻對抗中年(🥎)危機!將泰(tà(🎊)i )國(guó )鄉下的(👥)荒涼(🎋)風景,轉變(bià(🐶)n )成(chéng )一首洋(📿)溢著淡淡霓(🏪)虹光(guāng )芒(má(🤳)ng )的自我蛻變(🍴)之歌(🐒)。
辉煌的(de )吉(jí )檀迦利家族(⚫)只剩下公主(🗣)(zhǔ )一(yī )个人(📲),当了“女王(wá(📤)ng )”的(de )她(tā )与权(🎽)力至(📸)上的政客发生(shēng )矛(máo )盾(🖕),不知道如何(🛷)面对以(yǐ )后(🥘)(hòu )的种种问(🐩)题。还好先王(➗)(wáng )最(🐘)(zuì )信任的贴(🎨)身保镖巴瓦(⏸)尼在(zài )女(nǚ(🍗) )王左右协助(🍪)她打理一切(🎞)(qiē ),慢慢的女王与忠诚(chéng )的巴(🕦)(bā )瓦(wǎ )尼走(🎛)得越来越近(🐗)。
時は安(ān )土(✍)桃山時代。忍(🌐)びの(😮)郷(xiāng )を抜けた篠(17)は、追(💪)手から逃(tá(🚯)o )走(zǒu )する際(😩)に2015年にタイ(🚑)ムスリップ(🖨)して(🤺)しまう。
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.